What the heck is Cultural Marxism?
You may have seen it on a clumsy wojack speech bubble via a Facebook group or on Twitter, more than likely in a 4chan meme, but the buzz phrase ‘Cultural Marxism’ has entered the political lexicon. A term rooted in the theoretical work of the Frankfurt School, which sought to apply Marxist theory to culture, it has also been appropriated to denote a sinister conspiracy theory. That is to say, it initially referred to Marxist critiques of culture but has been adopted by some right-wing and far-right groups to describe perceived threats from progressive social reforms. Members of the Jewish community and anti-racist groups hold that using this term perpetuated antisemitic conspiracy theories.
In 2019 the Guardian, referring to Suella Braverman, reported ‘Tory MP Criticized for Using Antisemitic Term “Cultural Marxism”.’ Other Tory MPs have been criticised for this including the Croydon South MP and multi-millionaire landlord Chris Philp (tinyurl.com/skkrr33e). Somehow he retained his seat in this constituency that has large parts among the country’s lowest twenty percent deprived areas.
This portrayal of Marxism is a misrepresentation that conflates a broad and complex set of ideas into a monolithic threat. As a party with a strong basis in Marx’s actual writings, we can easily dismiss this definition as not only inherently incorrect but also because the term serves not as analysis but as a dog whistle for any type of racist, misogynist or bigoted behaviour.
In politics, a dog whistle is the use of coded or suggestive language in political messaging to garner support from a particular group without provoking opposition or for avoidance of true understanding. Much like ‘woke mind virus’ and ‘social justice warrior’, what ‘Cultural Marxism’ means isn’t as important as who it is being used against and who’s listening.
Cultural Marxism 1.0
‘Cultural Marxism’ initially referred to the work of the Frankfurt School, a group of Marxist theorists established in the 20th century, intellectuals like Theodor Adorno, Max Horkheimer, and Herbert Marcuse, who aimed to expand on Marx’s work by applying Marxism to cultural and social phenomena. The goal was to understand why capitalist societies had not yet collapsed despite the inherent contradictions that Marx had drawn attention to.
The Frankfurt School theorists argued that culture, ideology, and mass media play significant roles in maintaining the status quo by shaping public consciousness and discouraging revolutionary thought. They explored concepts such as the ‘culture industry,’ which describes how popular culture is mass produced to reinforce consumerism and passive acceptance of the capitalist system. These ideas were not about destroying ‘First World culture’ but about critiquing how cultural forms are manipulated to maintain the capitalist dominance.
Gramsci contributed to this school of thought with his concept of ‘cultural hegemony’. He posited that the capitalist class maintains control not just through force or economic power, but by dominating cultural norms and values, peddling the capitalist worldview as common sense. This notion emphasized the need for a counter-hegemonic culture to challenge and replace the dominant capitalist ideology with socialist ideas.
Appropriation and distortion by the far-right
In the cold dead claws of the alt-right, Cultural Marxism loses its meaning as a critical theory and is presented as a pejorative term engineered to invoke the conspiracy theory that Marxists are covertly campaigning to subvert ‘White’ culture by accepting the value of equality between race, genders and sexuality. The distorted view accuses these socially progressive changes as part of a coordinated effort to destroy ‘White’ culture. Popping another red pill and through fash-tainted glasses, this conspiracy theory goes on that Cultural Marxists are waging a war against traditional and Christian values to weaken the West from within. This reframing is a gift to the alt-right fash, reformed to paint itself as the victim of a red terror and saviour of Western civilization against a perceived cultural invasion.
The alt-rights use of ‘Cultural Marxism’ as a catch-all term for everything it opposes — feminist, multiculturalist, LGBTQ+, atheists, even the vegans — serves to rally the right and reactionaries against imaginary bogeymen (but usually minorities) and anyone really. This approach allows them to cosplay as the last line of defence against an existential cultural threat. As Slavoj Žižek noted in The Sublime Object of Ideology, ‘The more we discuss the impact of political correctness, the more we lose sight of the actual economic struggles’. This diversion helps the alt-right avoid engaging with tangible issues of capitalist exploitation and economic hardship and racial inequality. Paul Mason in Post-Capitalism added ‘The conspiracy theory of “Cultural Marxism” is an attempt to reduce complex social phenomena into simplistic and unfounded narratives.’
Let’s make sense of the frothing-at-the-mouth rhetoric.
From a socialist perspective the appropriation of Cultural Marxism is a deliberate calculated distraction from hardships and truths facing workers. By focusing on cultural battles it serves the interests of the ruling class by preventing the working class from recognizing its own power. Meanwhile, the capitalist class continues to exploit labour, accumulate wealth, and consolidate power, largely unchallenged by a fragmented and tired populace.
Rosa Luxemburg argued that ‘the most revolutionary thing one can do is always to proclaim loudly what is happening’. Thus we argue that the real struggle is not over culture or identity but over who controls the wealth generated by the working class. The focus should not be on fighting imaginary cultural enemies of fictional conspiracies but on the working class organizing to liquidate the capitalist system that exploits them.
This alt-right myth is a convenient albeit dangerous tool for the ruling class to attack the working class, keeping us divided and distracted. By promoting fear of cultural change, the capitalist class can avoid accountability for the economic exploitation and inequality that capitalism perpetuates.
Who smears wins
The tactics used by the alt-right in promoting the Cultural Marxism narrative is a direct lift from the 20th century fascist propaganda tactic of scapegoating with fear-mongering. Smears and vitriol, less blood and soil, more shite and bile. Fascist states thrived on dread and fear of the external enemy — whether it be other nations, communists, a minority, or immigrants — this all served to unify their base and justify extreme political violence. By positioning themselves as defenders of traditional ‘White’ values against a supposed cultural onslaught of the unknowable hordes and heathens, they seek to rally disaffected individuals around a nationalist identity and exclusionary vision.
In The Myth of Judeo-Bolshevism in Europe, Paul Hanebrink, Associate Professor of History at Rutgers University, points out that ‘for much of the twentieth century, Europe was haunted by a threat of Judeo-Bolshevism myth’. He examines the unfounded and damaging narrative that falsely connects Judaism with Bolshevism. This myth emerged in early 20th century Europe and falsely claimed that Jewish people were behind the rise of Russian ‘communism’. The conspiracy theory was employed as a propaganda tool to justify antisemitic policies and actions, contributing to the persecution of Jewish communities and supporting authoritarian regimes. He underscores the myth’s impact on European politics and society, demonstrating how such harmful narratives can distort public perception and fuel discrimination.
Fascism relies on an us-versus-them mentality, which is why the alt-right’s use of ‘Cultural Marxism’ as a bogeyman is so effective. It allows them to present themselves as the last line of defence against a cultural apocalypse, even as they promote intolerance, exclusion, and violence. As political theorist Hannah Arendt observed in The Origins of Totalitarianism, ‘The essence of totalitarianism is not merely a system of government but a state of mind that relies on fear and hate to unite and control’. The alt-right’s approach is not new; it’s a recycled form of demagoguery used to maintain control through division and fear.
This approach ultimately serves the interests of the capitalist class as by promoting cultural conflict, it enables them to continue to exploit labour and amass wealth without facing unity of resistance.
Socialism offers a world where the wealth we create together is used to meet our needs, not to enrich a privileged few. It’s about a future society where we work cooperatively, where resources are shared equitably.
Socialists have a clear-eyed understanding of the challenge we face and reject the false narratives peddled by the alt-right, other bad faith actors and their allies. It’s essential to recognize that the real struggle is not over culture but over economic power and control. By dismantling the capitalist system, we create a society where cultural diversity is celebrated and where all people have the opportunity to participate fully in shaping the world around them.
A. T.